Harari and De Pelegri understand the basic law of farce construction--what I call the Tower of Pisa Law. That tower, contrary to popular belief, did not lean after it was finished: it began to lean when it was only ten meters high, and they kept on building it, logically and well. Good farce writing must start with a canted base and then grow-- grow is the key word -- logically, but at an odd angle. A mere succession of gags is the death of farce: it must move organically, one action resulting inexorably in the next. This is what happens in Only Human.
Tuesday, June 27, 2006
what a wonderful description...
The venerable Stanley Kauffmann in the New Republic on what he calls the Tower of Pisa Law:
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