You’ve described the book-to-film process as giving away one’s daughter in marriage. But you consulted with Simon Beaufoy over a couple of preliminary drafts. Did you have major input on the screenplay?
I only made a few suggestions. They had $20 million riding on this film. My comfort level was high. If I tinkered with it too much and the film didn’t do well, they might say, “You scuppered our chances.” Simon told me he loved the novel and would remain faithful to the soul of the book. But when somebody tells you they will be faithful to the soul, you know the body will get mangled.
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