Given its one-joke premise, Lars and the Real Girl goes on too long and repeats itself too often, but the writer, Nancy Oliver, and director, Craig Gillespie, are increasingly inventive in their use of Bianca—who “takes a job” and “reads” to children and gradually wins our affection. She has downcast eyes and a wide mouth made for blow jobs but with just the right hint of melancholy. I wish I could have pushed out of my mind all those horror movies in which delusional schizophrenics develop symbiotic relationships with inanimate objects and end up butchering the supporting cast. If you think you can, by all means see the movie. It’s a good thing for each of us, as movie lovers, to draw our own line between healthy and unhealthy fantasy.From a review of Lars and the Real Girl.
Wednesday, October 24, 2007
Paragraph of the day
There is another reason why David Edelstein is my favorite movie critic (other than the fact that he writes passionate reviews that I generally agree with) ... and it's because he manages to effortlessly slip in paragraphs like this:
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